Brassaï

The Sunbather, c.1930s

Brassai

Masked dancer, 1930's

Brassaï - Artists

Miro’s painting tools, Brassai 1955



Picasso and Jean Marais posing as painter and model, 1944

Matisse with his model, 1939

Matisse with his model, 1939

Matisse with his model, 1939

Dalì and Gala

Gilber Brassaï, Salvador Dali, Gala et Brassaï sur un bateau à Cadaques



Brassaï

Suzy's Brothel

Lovers in the Latin Quarter, 1932

Opiomane préparant sa pipe

Opium den



The homosexual ball at Magic City

Photographer Profile ~ Brassaï

Brassaï was the pseudonym of Gyula Halász (1899-1984), a Parisian photographer considered by all as one of the great photographers of the 20th century. Brassai took his name from the town of his birth, Brasso, in Transylvania, then part of Hungary, later of Roumania, and famous as the home of Count Dracula.

 He studied art at the academies of Budapest and Berlin before coming to Paris in the mid-twenties. He was completely disinterested in photography, if not scornful of it, until he saw the work being done by his acquaintance André Kertész, which inspired him to take up the medium himself. In the early thirties he set about photographing the night life of Paris, especially at its more colorful and more disreputable levels. The result of this project - a fascinatingly tawdry collection of prostitutes, pimps, madams, transvestites, apaches, and assorted cold-eyed pleasure-seekers - was published in 1933 as Paris de Nuit, one of the most remarkable of all photographic books.

Making photographs in the dark bistros and darker streets presented a difficult technical problem. Brassai's solution was direct, primitive, and perfect. He focused his small plate camera on a tripod, opened the shutter when ready, and fired a flashbulb.

Brassaï's photographs brought him international fame leading to a one-man show in the United States at the George Eastman House in Rochester, New York, the Art Institute in Chicago, Illinois, and at New York City's Museum of Modern Art.




"When you meet the man you see at once that he is equipped with no ordinary eyes," ~ writer Henry Miller on Brassai

"The purpose of art is to raise people to a higher level of awareness than they would otherwise attain on their own." ~ Brassai

Paris Prostitute

 Washing up in Brothel, 1932 

 Picasso

 Woman playing snooker , 1933

 Dali

  Folies Bergère, 1933        

    

Dalí and his wife Gala; you can see Brassai in the mirror to the right. 

 Picasso

1932

"To keep from going stale you must forget your professional outlook and rediscover the virginal eye of the amateur." ~ Brassai

 Portrait of author Henry Miller

Masters of Photography : Brassaï by Brownsugar18